Speedrun knights her inner hero
New York indie artist Speedrun, also known as Nina Lüders, found solace and expression in music during the COVID lockdown. Her debut EP "Love’s Latest News," influenced by early to mid-aughts indie rock, explores various facets of love and draws inspiration from French poet Jean-Michel Maulpoix. In our Q&A with Speedrun, we talk about her DIY journey, evolving the project into a multi-dimensional creative endeavor, balancing social media and mental health, and more.
Jade. reaches for familiarity on Autumn Electric
New York indie Jade. debuted their album Autumn Electric last year. The band, fronted by William States Langham, formed after Langham turned to music for solace. Drawing on influences like Tame Impala and The Smashing Pumpkins, the album melds crunchy distortion with introspective lyrics. Read our Q&A with Langham where we discuss new music, live shows and nostalgia.
Checking In: The New Colossus Festival (New York)
New York’s indie music festival The New Colossus took over lower Manhattan earlier this month. Spread over eight venues across the city’s East Village and Lower East Side, the lineup featured more than 150 independent artists. That’s in addition to daytime panels from music distribution platform Ditto Music on publishing, touring, Spotify for Artists, Chartmetric, and more.
Its fifth edition had everything from psych rock to electronic punk. We connected with some of our favorite performers to talk songwriting, gear, and festival highlights.
ILTON finds comfort on the dancefloor
Influenced by acts like Dirty Vegas, ATB, and Real Lies, New York electronic artist ILTON makes bangers. His latest EP ‘SAD BOY RAVE’ culminates house, dance-pop, and electronic beats. On the surface, these are dance songs, but dig deeper and you’ll find heartbreak. We connected with ILTON to discuss headlining Coachella, feeling connected to the SAD BOY RAVE brand, sampling as a form of artistic expression, and more
Photo Credit: Bo Apitz
Dead Leaf Echo digs into The Mercy of Women
Dead Leaf Echo has been an integral part of New York’s shoegaze scene for over a decade. On their latest album ‘The Mercy of Women,’ Dead Leaf Echo experiments with song structure and genre further developing their craft. Delays stemming from the pandemic resulted in the album taking over six years from start to finish. We connected with the band’s vocalist LG Galleon to discuss the album’s evolution, concept, and more.